The title track is a coil of anxiety and exuberance, its verses and chorus sweeping into cascades of magnetic harmony. The result is the biggest, broadest, boldest music they’ve ever made. They discarded past rules about using just guitar or keyboard to write a record, instead funneling all those experiences and experiments into perfectly unified statements. These shorter stints together produced less second-guessing and hesitation in their process, yielding an unabashed and unapologetic Wye Oak. They flew to one another for a week or so at a time, hunkering in home studios to sort through and combine their separate song sketches. Louder is the third record that Wasner and Andy Stack, who launched Wye Oak in Baltimore, have made while living in separate cities-she in Durham, North Carolina, he in Marfa, Texas. “Feeling heat and then the lack of it/But not so much what the difference is.” The moment declares the second coming of Wye Oak, a band that spent more than a decade preparing to write this record-its most gripping and powerful set of songs to date, built with melodies, movement, and emotions that transcend even the best of their catalogue. “Suffering, I remember suffering,” sings Jenn Wasner, her voice stretched coolly across the tizzy. For a few seconds, piano, drums, and a playful keyboard loop gather momentum then, all at once, they burst, enormous bass flooding the elastic beat. The Louder I Call, The Faster It Runs-the triumphant fifth album by Wye Oak-begins with an explosion.
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